In ArtReview’s November issue, topics surrounding poverty and injustice are mediated via social economies of the artworld. In the sometimes-controversial work of Renzo Martens, the Dutch artist places the economics of the artworld in the context of the economics of the ‘real’ world. Rosa Aiello’s videos and installations, meanwhile, explore the worlds of freelance and precarious work. Plus texts on Lynda Benglis, Shirin Neshat’s latest body of work, Land of Dreams, contrasting design languages on view in London, an intertwining of art and psychiatry in Brazil, and how the artworld’s embarrassed nostalgia makes itself known. Plus book and exhibitions reviews from cities around the world.