ArtReview April 2022
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The April issue of ArtReview takes the world’s most celebrated art gathering – the Venice Biennale – as an excuse to look at the work of artists who refuse to perform at such events. Although the artists in question are both showing at this year’s Biennale (23 April to 27 November): Maria Eichhorn, representing Germany on this occasion, and the Croatian representative, Tomo Savić-Gecan. What’s important is that they are doing it on their own terms, by refusing to engage in the culture of spectacle inherent to such occasions. Also in this issue: film, fashion, photography and Brazil’s avant-gardes, plus exhibition reviews from Piraeus, Paris, Honolulu, LA, New York, Seoul, Rome, London, Berlin and beyond